1
00:03:52,200 --> 00:03:54,499
This tone too
has traveled the

2
00:03:54,704 --> 00:03:57,172
whole world and continues to do so.

3
00:04:01,378 --> 00:04:04,507
It goes everywhere
and come back.

4
00:04:09,021 --> 00:04:12,389
the theory of wings
butterfly

5
00:04:13,426 --> 00:04:15,793
Have you never heard of her?

6
00:04:19,600 --> 00:04:22,399
When somewhere

7
00:04:22,838 --> 00:04:25,808
from China flaps a
butterfly in the air,

8
00:04:27,243 --> 00:04:30,407
that affects
all the other things.

9
00:04:30,648 --> 00:04:33,618
That soft flutter is connected

10
00:04:35,253 --> 00:04:38,815
with all the other things.

11
00:04:43,463 --> 00:04:45,830
the smallest action,

12
00:04:46,067 --> 00:04:50,835
for insignificant
and invisible as it seems.

13
00:04:54,878 --> 00:04:57,176
is influenced
for that flutter.

14
00:04:57,480 --> 00:05:00,848
one puts the other
in motion,

15
00:05:01,686 --> 00:05:04,554
and the other the following,

16
00:05:06,491 --> 00:05:08,483
thus changing the world.

17
00:07:12,647 --> 00:07:14,842
This time it has been
something faster...

18
00:07:15,050 --> 00:07:18,452
Too fast!
It's my fault.

19
00:07:22,059 --> 00:07:26,053
Let's look a little
"Nirvana for mice."

20
00:07:30,669 --> 00:07:36,666
I have some chords
special for you!

21
00:07:39,680 --> 00:07:43,082
So let's leave the
"Nirvana for mice"...

22
00:07:47,090 --> 00:07:49,081
Best "Jigsaw Coda"?

23
00:07:49,692 --> 00:07:52,685
Does anyone have interest?

24
00:07:53,697 --> 00:07:55,495
A fantastic song!

25
00:07:55,700 --> 00:07:57,463
Thank you very much....

26
00:07:57,669 --> 00:07:59,297
How about a break?

27
00:07:59,505 --> 00:08:03,101
We still have "Same"
white wall" and "Jigsaw Coda".

28
00:08:03,310 --> 00:08:05,301
Okay: "Same white wall."

29
00:08:06,914 --> 00:08:09,110
Come on, show us.

30
00:09:05,386 --> 00:09:07,981
Before we spoke
about Tarkowski.

31
00:09:08,390 --> 00:09:12,987
He described the function of Art

32
00:09:13,396 --> 00:09:15,387
like direct communication

33
00:09:15,598 --> 00:09:18,397
between the artist
and society.

34
00:09:19,803 --> 00:09:22,398
This is an aspect
important

35
00:09:22,607 --> 00:09:23,801
of my work.

36
00:09:28,815 --> 00:09:31,807
I know him quite well.

37
00:09:32,019 --> 00:09:35,012
You do your sound-check,

38
00:09:35,223 --> 00:09:37,818
They take you to the hotel,

39
00:09:38,027 --> 00:09:39,619
without having the minimum
contact with the public.

40
00:09:39,828 --> 00:09:42,229
It's a way
very sterile to work with.

41
00:09:44,234 --> 00:09:47,227
I like much more to know the
local people

42
00:09:47,438 --> 00:09:49,429
who organized the concert.

43
00:09:52,244 --> 00:09:55,043
Contact with the public
It is just as important.

44
00:09:55,248 --> 00:09:59,811
Especially as
improvising musician you need

45
00:10:00,854 --> 00:10:02,822
that echo

46
00:10:05,260 --> 00:10:08,230
Art is not only
realize yourself.

47
00:10:09,265 --> 00:10:14,863
It occurs to me
a good passage.

48
00:10:19,877 --> 00:10:22,847
- A ticket out of your pocket?
- Yes, from my pocket.

49
00:10:23,248 --> 00:10:26,275
Clearly describe

50
00:10:26,686 --> 00:10:29,281
what I think about music.

51
00:10:29,690 --> 00:10:32,488
But it's from a photographer
french,

52
00:10:32,893 --> 00:10:35,692
Henri Cartier-Bresson.

53
00:10:38,701 --> 00:10:41,499
It says: photography is
a way of shouting,

54
00:10:41,705 --> 00:10:44,606
a release, not the test
of your originality.

55
00:10:44,808 --> 00:10:46,743
A way of living.

56
00:20:44,114 --> 00:20:47,107
My first performance
It wasn't on stage

57
00:20:47,451 --> 00:20:49,646
but in France.

58
00:20:50,455 --> 00:20:54,654
I was there
perfecting my French.

59
00:20:56,062 --> 00:20:59,055
I was fascinated
by the Beatles.

60
00:20:59,666 --> 00:21:03,067
With an old tape recorder

61
00:21:03,872 --> 00:21:05,863
recorded rhythmic parts of

62
00:21:06,074 --> 00:21:08,475
Beatles songs.
Afterwards I gave a concert.

63
00:21:14,084 --> 00:21:17,077
And the beginning was gone
of your secret career?

64
00:21:22,094 --> 00:21:24,494
Making music meant
more than anything

65
00:21:24,697 --> 00:21:26,665
overcome youthful shyness.

66
00:21:26,900 --> 00:21:30,735
While on stage,

67
00:21:31,505 --> 00:21:34,100
I didn't have to dance with the girls.

68
00:21:34,509 --> 00:21:37,502
I could look at others.

69
00:21:37,914 --> 00:21:39,905
It was an important motivation.

70
00:21:43,720 --> 00:21:46,121
For many musicians
of my generation

71
00:21:46,324 --> 00:21:49,725
Blues music was decisive.

72
00:21:50,729 --> 00:21:53,527
As I have studied
classical music

73
00:21:53,732 --> 00:21:56,531
all kinds of music were
attached to the notes.

74
00:21:56,736 --> 00:22:00,173
In the Blues o� by
first time music

75
00:22:00,341 --> 00:22:03,743
It didn't come from one
sheet of paper.

76
00:22:03,946 --> 00:22:06,380
Also the songs
of the "Shadows"

77
00:22:06,548 --> 00:22:10,952
I had touched them until then
from a notebook.

78
00:22:13,757 --> 00:22:16,158
With Blues music it was different.

79
00:22:16,361 --> 00:22:18,352
There I could buy the notes.

80
00:22:18,563 --> 00:22:21,556
the guitar was
like a human voice.

81
00:22:21,767 --> 00:22:24,760
As soon as you understand
the relationship

82
00:22:24,972 --> 00:22:27,964
between the instrument
and the voice,

83
00:22:28,175 --> 00:22:29,575
possibilities are transformed

84
00:22:30,011 --> 00:22:31,774
of music.

85
00:27:54,577 --> 00:27:57,570
...All this is
horrible....

86
00:27:57,981 --> 00:28:00,177
I'm almost 40 years old now.

87
00:28:00,418 --> 00:28:02,181
 �40! Incredible!

88
00:28:02,587 --> 00:28:05,580
I feel like I'm 15.

89
00:28:07,594 --> 00:28:09,186
Completely lost.

90
00:28:11,197 --> 00:28:13,189
Completely lost
It would be nice.

91
00:28:13,601 --> 00:28:16,196
But so, just a little lost
It's boring.

92
00:28:16,605 --> 00:28:18,197
Not even boring!

93
00:28:18,407 --> 00:28:20,034
I'm fed up...

94
00:52:58,263 --> 00:53:01,256
It does not set an expiration date.

95
00:53:02,668 --> 00:53:04,261
It's a bad sign.

96
00:59:07,718 --> 00:59:09,687
I don't have the ambition

97
00:59:09,921 --> 00:59:14,723
that my music
change society.

98
00:59:17,731 --> 00:59:22,135
When I was young I
I thought, naturally.

99
00:59:23,938 --> 00:59:26,931
That's why I don't feel
a pessimist

100
00:59:27,743 --> 00:59:30,736
Now what encourages me are

101
00:59:31,147 --> 00:59:33,445
small projects.

102
00:59:33,751 --> 00:59:35,742
I don't think I'll ever
going to have

103
00:59:35,953 --> 00:59:37,979
a great commercial success

104
00:59:38,156 --> 00:59:40,147
and I don't think that either
nothing would change.

105
00:59:40,792 --> 00:59:43,785
But if I give a concert,

106
00:59:43,997 --> 00:59:46,967
and a person feels moved

107
00:59:47,768 --> 00:59:52,763
and comes to me to talk
of it,

108
00:59:53,174 --> 00:59:55,166
I find it wonderful.
And that happens to me frequently.

109
01:15:56,962 --> 01:16:00,956
It's a lonely business.

110
01:16:01,367 --> 01:16:03,358
Like cigarette advertising.

111
01:16:04,572 --> 01:16:06,563
It's not especially popular.

112
01:16:06,974 --> 01:16:09,170
You earn a lot of money

113
01:16:09,778 --> 01:16:11,370
and you will die...

114
01:16:11,780 --> 01:16:12,975
I don't know...

115
01:16:42,819 --> 01:16:45,014
the good thing about trains is

116
01:16:45,221 --> 01:16:49,022
that you are always
in the present.

117
01:16:50,027 --> 01:16:52,019
Don't just sit there

118
01:16:52,230 --> 01:16:55,028
and you think about the past.

119
01:16:57,436 --> 01:17:00,429
You are in motion.

120
01:17:11,253 --> 01:17:15,247
That river is very beautiful.

121
01:17:16,059 --> 01:17:19,052
the soft wiggles
they don't hurt

122
01:17:32,279 --> 01:17:34,271
I'm sorry for the wiggles.

123
01:17:34,482 --> 01:17:37,474
But everything is symbolic.

124
01:17:37,686 --> 01:17:38,881
It has something to do with the times

125
01:17:39,188 --> 01:17:41,281
what are you doing with your nose
on the ground.

126
01:17:43,293 --> 01:17:46,285
As time passes
you wait

127
01:17:46,496 --> 01:17:49,489
be able to enjoy
of everything

128
01:17:49,701 --> 01:17:53,103
without having to fight.

129
01:18:17,135 --> 01:18:19,729
Few things interest
to the people.

130
01:18:20,739 --> 01:18:25,143
they like to be baited
with information.

131
01:18:25,746 --> 01:18:27,737
And that information
they come almost

132
01:18:27,948 --> 01:18:29,940
always from an institution
central

133
01:18:30,151 --> 01:18:33,143
of television
or some government.

134
01:18:33,354 --> 01:18:36,347
And nobody doubts them.

135
01:18:36,959 --> 01:18:38,154
With artistic work

136
01:18:38,361 --> 01:18:40,761
you have the possibility of

137
01:18:40,964 --> 01:18:43,160
provoke reactions
different.

138
01:18:43,567 --> 01:18:47,561
find something in
themselves.

139
01:18:50,175 --> 01:18:53,168
All actions
artistic

140
01:18:55,181 --> 01:18:57,173
they only work

141
01:18:57,384 --> 01:19:00,183
if they provoke something in you.

142
01:19:00,588 --> 01:19:02,180
When you start
be interested in you

143
01:19:02,590 --> 01:19:04,582
and for your relationship with
the society

144
01:19:04,894 --> 01:19:06,589
in which you live.

145
01:19:06,796 --> 01:19:09,789
Few things cause
something like that.

146
01:19:10,200 --> 01:19:15,195
most of the time the
People don't even think about it.